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Mohandas Karamchand Gandhi (2 October 1869 – 30 January 1948) was the pre-eminent political and ideological leader of India during the Indian independence movement. He pioneered satyagraha. This is defined as resistance to tyranny through mass civil disobedience, a philosophy firmly founded upon ahimsa, or total non-violence. This concept helped India gain independence and inspired movements for civil rights and freedom across the world.<br/><br/> Gandhi is often referred to as Mahatma Gandhi or 'Great Soul', an honorific first applied to him by Rabindranath Tagore. In India he is also called Bapu (Gujarati: 'Father') and officially honored in India as the Father of the Nation. His birthday, 2 October, is commemorated as Gandhi Jayanti, a national holiday, and worldwide as the International Day of Non-Violence. Gandhi was assassinated on 30 January 1948 by Nathuram Godse, a Hindu Nationalist.
A spinning wheel is a device for spinning thread or yarn from natural or synthetic fibres. Spinning wheels appeared in China, probably in the 11th century, and very gradually replaced hand spinning with spindle and distaff.<br/><br/> Spinning machinery, such as the spinning jenny and spinning frame, displaced the spinning wheel during the Industrial Revolution.
Yahyâ ibn Mahmûd al-Wâsitî was a 13th-century Arab Islamic artist. Al-Wasiti was born in Wasit in southern Iraq. He was noted for his illustrations of the Maqam of al-Hariri.<br/><br/> Maqāma (literally 'assemblies') are an (originally) Arabic literary genre of rhymed prose with intervals of poetry in which rhetorical extravagance is conspicuous. The 10th century author Badī' al-Zaman al-Hamadhāni is said to have invented the form, which was extended by al-Hariri of Basra in the next century. Both authors' maqāmāt center on trickster figures whose wanderings and exploits in speaking to assemblies of the powerful are conveyed by a narrator.<br/><br/> Manuscripts of al-Harīrī's Maqāmāt, anecdotes of a roguish wanderer Abu Zayd from Saruj, were frequently illustrated with miniatures.
The Chakmas, also known as the Changhma, are a community that inhabits the Chittagong Hill Tracts of Bangladesh and North-East India. The Chakmas are the largest ethnic group in the Chittagong Hill Tracts, making up more than half the tribal population. Chakmas are divided into 46 clans or Gozas. A tribal group called Tongchangya are also considered to be a branch of the Chakma people. Both tribes speak the same language, have the same customs and culture, and profess the same religion, Theravada Buddhism.<br/><br/> Chakmas are Tibeto-Burman, and are thus closely related to tribes in the foothills of the Himalayas. The Chakmas are believed to be originally from Arakan who later on moved to Bangladesh, settling in the Cox's Bazar District, the Korpos Mohol area, and in the Indian states of Mizoram, Arunachal Pradesh, Tripura.
T. Enami (Enami Nobukuni, 1859 – 1929) was the trade name of a celebrated Meiji period photographer. The T. of his trade name is thought to have stood for Toshi, though he never spelled it out on any personal or business document.<br/><br/> Born in Edo (now Tokyo) during the Bakumatsu era, Enami was first a student of, and then an assistant to the well known photographer and collotypist, Ogawa Kazumasa. Enami relocated to Yokohama, and opened a studio on Benten-dōri (Benten Street) in 1892. Just a few doors away from him was the studio of the already well known Tamamura Kozaburō. He and Enami would work together on at least three related projects over the years.<br/><br/> Enami became quietly unique as the only photographer of that period known to work in all popular formats, including the production of large-format photographs compiled into what are commonly called "Yokohama Albums". Enami went on to become Japan's most prolific photographer of small-format images such as the stereoview and glass lantern-slides. The best of these were delicately hand-tinted.
Suzuki Harunobu (鈴木 春信4, 1724 – July 7, 1770) was a Japanese woodblock print artist, one of the most famous in the Ukiyo-e style. He was an innovator, the first to produce full-color prints (nishiki-e) in 1765, rendering obsolete the former modes of two- and three-color prints.<br/><br/> Harunobu used many special techniques, and depicted a wide variety of subjects, from classical poems to contemporary beauties (bijin, bijin-ga). Like many artists of his day, Harunobu also produced a number of shunga, or erotic images.<br/><br/> During his lifetime and shortly afterwards, many artists imitated his style. A few, such as Harushige, even boasted of their ability to forge the work of the great master. Much about Harunobu's life is unknown.